For my last DT post this month I did another canvas.
I used a brick wall stencil and texture paste on two corners, the acrylic paint over all the canvas. I wanted a sort of peeling paint effect, so added some Decoart antiquing cream in patina green and rubbed it off over the bricks. It wasn't quite right, so I added distress rock candy crackle paint , which was better.
I stamped the steampunk roses onto tissue paper with archival ink, then coloured on the reverse with alcohol marker pens. I tore them out, then added to the base with a matt multimedia medium.
They didn't quite blend in with the background, but I didn't dare trying to get them off and trim them some more!
For the butterfly I brushed some metallic mica powders over the stamp before I added the black soft form relief paste over the whole stamp and left it to dry.
Once it was dry - about 30 hours this time - I peeled the paste off the stamp, trimmed the edges and glued onto the canvas.
Showing posts with label steampunk butterfly. Show all posts
Showing posts with label steampunk butterfly. Show all posts
Sunday, 25 September 2016
Sunday, 3 January 2016
butterfly and wall
Two samples from the recent TV shows on the Craft Channel for you today, using both old and new stamp sets.
The first card uses the large butterfly from the steampunk butterfly set, and techniques I learnt from Lesley - many thanks, Lesley!
I started with a square of black card, covered it with a layer of crackle medium, then one of white acrylic paint once it was dry. When the paint was thoroughly dry and had crackled, I added a wash of brusho powders made into a paint, splodged on fairly randomly - I was trying to create a weathered wooded effect.
The butterfly was stamped twice, once onto the background and once onto a sticky label with versamark and embossed with copper EP. The label one was coloured with promarkers and fussy cut out, cutting off the antennae. The label one was then stuck over the original image, with the embossed antennae reappearing.
The new walled garden stamps are big stamps, each coming with a mini stamp as well, and I chose to use the brick wall version.
Stamped using sepia versafine onto kraft card, then coloured with white and brown pencils to enhance the brick effect. I also used blue pencil on the shutters, and green on the bush and the ground.
The matts are a pale blue to match the shutters and a very dark brown.
I stamped the mini blossom stamp randomly along the edges of the cream card blank to create the background, and also sponged the edges with more sepia ink.
The first card uses the large butterfly from the steampunk butterfly set, and techniques I learnt from Lesley - many thanks, Lesley!
I started with a square of black card, covered it with a layer of crackle medium, then one of white acrylic paint once it was dry. When the paint was thoroughly dry and had crackled, I added a wash of brusho powders made into a paint, splodged on fairly randomly - I was trying to create a weathered wooded effect.
The butterfly was stamped twice, once onto the background and once onto a sticky label with versamark and embossed with copper EP. The label one was coloured with promarkers and fussy cut out, cutting off the antennae. The label one was then stuck over the original image, with the embossed antennae reappearing.
The new walled garden stamps are big stamps, each coming with a mini stamp as well, and I chose to use the brick wall version.
Stamped using sepia versafine onto kraft card, then coloured with white and brown pencils to enhance the brick effect. I also used blue pencil on the shutters, and green on the bush and the ground.
The matts are a pale blue to match the shutters and a very dark brown.
I stamped the mini blossom stamp randomly along the edges of the cream card blank to create the background, and also sponged the edges with more sepia ink.
Wednesday, 23 December 2015
rose candle
I made the candle first, and was so pleased that it ended up still looking like a candle - thanks to helpful tip from Anne Waller to use a baking parchment wrap when heating the design onto the candle.
The steampunk rose was stamped onto white tissue paper, coloured with marker pens and fussy cut out before heating gently to fix it to the candle. I did this twice.
The steampunk rose image was inked with memento black ink and pressed into a splodge of paper clay. Once it was dry, coloured with promarkers and fussy cut out again then glued onto the lid It made quite a dimensional image, but too thin a layer of the paper clay was too difficult to cut out.
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