Sunday, 21 August 2016

shaving foam

When I saw the latest challenge from The Male Room, I was having a break from attempting to restore some sort of order to my craft space, and had just unearthed some backgrounds made during a brusho/shaving foam playday earlier this year.
This one got a reprieve from the binbag, as I fancied it looked like a turbulent sea, and it went with a previously unused stamp from Crafty Individuals.........
The shaving foam had just been sprinkled with blue and green brusho powders and swirled round without adding any water, and the powders spread in streaks when the shaving foam was scraped off.
The stamp was stamped separately on white card with black versafine, clear embossed, and coloured with some ancient H2O paints, cut out and added with foam pads. I cut out the wording, added to to scraps of the same blue card I used for matting and then to the top of the brusho card/
Base card is a 15x15 cm white.
I am entering this for the Male Room challenge 42 - use shaving foam
and Addicted to Stamps and More challenge 207 - make your mark

Thursday, 11 August 2016

seashore

Our theme this month is summer, which to be honest is really what you would expect!
My first thought was to use some of my favourite poppy stamps, but they have had a lot of use, so I went for seaside - bit limited for choice there, so maybe I should have stuck with the poppies!
My first card uses stamps from seashore scenes, and I tried to create a slightly different scene.
The seagull was stamped first using black versafine ink,, then masked with masking tissue and the scene stamped over him - I didn't ink the stamp all the way to the bottom, as I wanted it to be background. The dunes at the front were stamped using the larger sand/grass stamp stamped several times to form foreground dunes.
Dunes and stump were coloured with alcohol markers, bird and everything else with watercolour pencils..
Base card is 15cm square, stamped with the sentiment several times to form a background using a pale brown inkpad. The scene was matted onto black and gold card.


My second card used the something fishy set of stamps, and the main image was stamped in black versafine, then the larger fish image added beside it.
Simply coloured with watercolour pencils, and glossy accent added to the bubbles from the shell.
Base card this time is A6

Thanks for reading this - my teamies have some smashing ideas to show you, so keep checking, you won't be disappointed!

Tuesday, 2 August 2016

hummingbirds?

 Sunday was another ClarityEast day at Bawburgh with Janet Pring, and these were the results.
I think the stamp set we used was hummingbirds - am sure Janet will correct me if I'm wrong!- at least, they look like hummingbirds to me....
Birds stamped onto a strip of white card with black archival ink, background sponged with distress inks in tumbled glass, peeled paint and salty ocean, then the foliage stamp around the edges in salty ocean.
The circles behind the birds were cut out - it went very quiet while we all concentrated! Double-sided adhesive behind the cutouts, then gilding flakes added - long time since I used these.
Narrow mat of bluegreen added, then mounted onto a white DL card blank.




Being me, I had stamped another couple of images onto spare card while i waited for the gilding flakes, and these are the ones I finshed off at home yesterday.
 The first is another DL size card, but with greater use of the foliage stamp along two edges, distress inks tumbled glass, broken china and peeled paint. Coppery gilding flakes on this one.

The second one I repeat stamped the foliage in hickory smoke and black soot distress inks, and sponged hickory smoke ropund the edges.
A final stamping in black archival of the foliage to give more depth to the background. I used silvery gilding flakes behind the birds this time.
Narrow black mat onto an A5 card blank - I really liked the monochrome effect.

                                                             
In the afternoon we played with bleeding art tissue to create the background - loved the random watercolour effect.
We used the foliage stmap again from the morning, and I used a butterfly stamped onto white card and coloured with marker pens - there is glitter on the wings, added with stickles.
Most other people used a parchment butterfly and a groovi board - happy to say I wasn't the only awkward one this time!

Thanks to Janet for another lovely day crafting - and the extra bits of tissue to play with




Sunday, 31 July 2016

punky birds

 I borrowed the Chooclate Baroque  steampunk birds recently from a friend - think I may have to buy this one for myself! - because I liked one of the stamps (the cockerel).

Needless to say, I started playing with some of the others in the set........ and these are the results.

The first two used the springy birds and the lettering - as the birds were springy, I reckoned the letters should be wobbly too. For the first one I stamped them at random in all directions, added wobbly lines round the edges and some smudges of black soot distress ink.
Images were all stamped with black versafine ink, and the birds coloured with watercolour pencils. Base cards are A6.
My favourite stamp from the set was simply stamped with black versafine at the bottom of an A6 card blank - the sentiment doesn't belong with this set, but was in the bag, and it fitted!
Image again coloured with watercolour pencils. This one took a little longer than the springy birds, but still a quick card.

This set is not currently on the CB website, but is listed on the Craft Channel site

Wednesday, 27 July 2016

challenge 25


two wintry tangled trees from me this month - loved the chocolate theme, but brain refused to come up with anything!
The lovely new tangled birch stamp came to my rescue, along with  craft card - one version very plain, the other more atmospheric.
The first one is my favourite of the two, stamped in black versafine onto light craft card and clear embossed.
Wild honey distress ink sponged over the moon, and brown and blue sponged over the sky. Snow was added with a chalk marker pen. Mats are black and gold onto a white 7"square card blank.





Second card is on a cream 8" square card blank. with offset mats in white, copper and black.
Image stamped in versamark and white embossed onto a medium craft card.
Moon again sponged with wild honey, and a diecut oval mask was used when sponging aged mahogany ink round the trees. More snow with the white chalk marker pen, and edges of the card inked with black versafine before matting onto the white card.

I think the new autumn medley stamp would work well with this month's colour scheme, just haven't got around to trying it yet.......

Sunday, 24 July 2016

Four seasons

 Four cards using the lovely new seasonal ladies stamps - big stamps that are an absolute delight to colour in.
The first uses spring awakening, stamped with black versafine, clear embossed, and coloured with pencils.
Die cut, then mounted on a 7" square white card blank randomly stamped with an old flower stamp from my stash using old paper distress ink, then sponged round the edges (Briar rose butterfly, currently available through the Craft Channel website)
 Summer fair is the next stamp, again stamped in black versafine and clear embossed before colouring with pencils. I stamped a mask using masking tissue and masked the image before adding a gelli plate background uisng distress inks.
Again an oval die cut, and a 7" square white card blank stamped with a stamp from poppy meadow across the bottom using peeled paint distress inks, with some of the colour dragged out with a waterbrush.
Autumn medley also has a gelli plate background added after colouring and masking the image, this time using acrylic paints and leaves from the garden.
This time the mount is an 8" square white card.
The wood -effect background is thanks to a link from Eileen Godwin - I used weathered wood, peeled paint and wild honey distress inks over the glue onto white card.

Last lady is winter dawn, stamped with versamark onto light blue card and embossed with silver. Coloured with pencils again, white chalk marker for the snow , rhinestones added to the snowflakes.
Base card was 8" square in silver pearl, randomly stamped with a snowflake stamp from a child is born using silver pigment ink.
The mats are dark and light silvers.


Sunday, 10 July 2016

tangled birch


Two samples using the lovely new tangled birch stamp from Chocolate Baroque.
First card uses a spray starch and mica powder background , which had been lying around for a while but seemed to fit the sunset.
the sky was created with distress inks in various blues and purples, with wild honey and spiced marmalade for the sun.Trees coloured with watercolour pencil.









For this one, the trees were stamped with black versafine ink, and once it was dry I used masking fluid over the image.
Distress inks sponged over the sky, again a variety of blues and purples, with wild honey for the moon, and a bit of black soot added to the sky and the ground.
Once it was all dry, rub off the masking fluid and leave the trees white,
I tore the edges to leave a rough white edge, andded a black mat with rounded edges.
The card edges were sponged with broken china ink, and the top branches from the stamp stamped randomly round the edges with broken china.